|
Sunday Will Come Reviews
“… a dreamlike fantasia on apocalyptic
themes that merges dance, text and music.”
- Karen D'Souza,
San Jose Mercury News |
| |
“Shuch and San José perform seamlessly alternating
spoken and movement passages that add up to running ruminations
on love,
day-to-day relationships and death.”
- Robert Hurwitt, San Francisco Chronicle |
| |
“This is the first time Sean San Jose and Erika Chong Shuch,
of Campo Santo and the ESP Project respectively, are performing
onstage together. Separately, they are vibrant movers and shakers
in the Bay Area. When I heard they were combining their creative
forces, I had to witness the alchemy. And the result is pure
gold.”
- Andy Alabran , KQED Arts |
| |
“Questions of illness, loss and grieving -- all were served
up with Shuch's characteristic wit, and always surprising choreography,
with San Jose's fearsome gaze and focused delivery bringing an
emotional gravitas.”
- Kimberly Chun, 7x7 Magazine |
| |
“Poetry and dance both traffic in emotional terms,
but rarely are they so complete or exacting. In this play, though,
big things
get transmitted in small ways and every minute gesture becomes
important.”
- Rachel Swan, East Bay Express |
| |
“There’s none of the pretension that
can come from a hybrid dance-theater-music-spoken word piece
because
the performers
are so incredibly focused, so funny and so intensely emotional.
They seem to live partly in the world of boring, normal people
and partly in the world of extraordinarily talented artists who
sing and move and speak on an entirely different, entirely dazzling
plane.”
- Chad Jones, Theater Dogs |
| |
“But the reason we go to see (Erika) is that she
keeps coming with new dance theatrical forms. No piece looks
like anything
she has done before.”
- Rita Felciano, SF Bay Guardian |
|
|
