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(notes from the edge of forever)
'Orbit' searches for love and a real connection.
Rachel Howard | SF Chronicle | July 2006
What makes Erika Shuch's work so arresting isn't the way she intuitively melds movement and theater, or the knack she has for attracting brilliant collaborators, or the Gen Y appeal of her slouchy, all-too-human performers. What's made this still-young choreographer a standout since she emerged in San Francisco six years ago is her childlike audacity in the face of big questions. Full Review

Dancer-choreographer Erika Shuch is a Bay Area wild child.
Rita Felciano | SF Bay Guardian | July 2006
She is running, always. Where to? She probably doesn't know. But she usually ends up in some unusual places. She'll step on a crack just to see whether it will break her back. She'll search for other universes in the smallest existing particles. She'll contemplate the ways love and cannibalism feed off each other. Full Review
Close encounters. The always in-search-of Erika Chong Shuch sends her talents into Orbit.
Robert Avila | SF Bay Guardian | July 2006
Love is more than metaphor in Orbit (notes from the edge of forever). Love is like the intractable need connected to the exploration of space — especially when the search is bent toward the hope of some ultimate encounter: that contact with somebody, out there, who knows who you are. It's as if an inner wilderness were turned inside out and projected to infinity. Full Review
Signs of intelligent life.
Joe Landini Bay Area Reporter | July 2006
Erika Shuch's new dance-theatre piece ORBIT (notes from the edge of forever) is a really smart meditation on connection and faith. The ESP (Erika Shuch Performance) Project presents a polished, well-crafted, full-length evening at Intersection for the Arts that features talented collaborators and some pretty good performances, and shows definite ideas about where San Francisco contemporary dance is heading. Full Review
ORBIT (Notes From the Edge of Forever).
Chloe Veltman | SF Weekly | July 2006
Combining live and recorded music, choreography, spoken text, video projections, televised images, and an interactive set, Erika Shuch Performance Project's latest, and very beautiful, movement theater piece is all about humanity's frenzied and largely frustrated attempts to forge connections with worlds beyond our own. Full Review
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